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Stock: 15553

A pair of large gilt bronze triple branch candelabra in the Louis XV style, ornately cast with foliate motifs and with elegant tapered stems and scrolled feet mounted on a shaped plinth. French, mid 19th century.

	Width	Height
	8 11⁄16" 22 cms	23" 58.3 cms

Stock: 15552

An elegant bronze study of a female dancer with a cold painted green dress, by the French sculptor George Charles Coudray (1883-1932). Impressed with the Société des Bronzes de Paris pastille mark and stamped by the retailer, Tiffany & Co.

French, c.1900.

Notes: La Société des Bronzes de Paris (The Paris Art Bronzes Society) was active between 1875 -1930. This foundry was located in Paris.

		Height
		27 5⁄8" 70 cms

Stock: 15551

A very large 19th century twin handled maiolica vase in the form of a wine krater. The exquisite hand painted decoration includes two central cartouches, one depicting Bacchus and Ariadne reclining within an allegorical scene. Bacchus loosely hold his thyrsus, a wand of giant fennel whilst Ariadne embraces him.

On the verso is a depiction of a Bacchic procession, Bacchus holds grapes aloft whilst he rides in a chariot drawn by a lion and a goat, as maenads dance around in ecstasy. These scenes are framed by winged grotesque handles and the entirety of these vase is decorated profusely, including the socle, where a putto is depicted inscribing a tablet.

Italian, c.1890. Possibly Neapolitan. .

View our collection of: decorative antiques and furnishings

	Width	Height
	17 1⁄4" 44 cms	22 3⁄8" 57 cms

Stock: 15540

A Doulton Lambeth stoneware jardinière on stand, the pie crust vase is decorated with a stylised blue foliate motifs on an ochre ground. The stand has a raised blue floral decoration in a more traditional manner. English, c.1900

	Diameter	Height
	12" 30.5 cms	28 1⁄4" 72 cms

Stock: 15468

A large Regency cast iron hob grate of neoclassical design, with integral side panels. English, c.1810.

Link to: Antique Hob Grates

	Width	Height	Depth
	35" 89 cms	39 3⁄8" 100 cms	12" 30.5 cms

Stock: 15548

A rare pine and composition chimneypiece by Richard Foster of Edinburgh. The chimneypiece is a celebration of the Scottish coast, and painstaking care has been taken to render the sea life and flora with a great deal of accuracy. The composition decoration has also been carefully wood-grained to make it appear like carved pine; this finish is a great survival.
The inverted breakfront shelf sits above a band of composition moulded into acorns and mushrooms, and the frieze is decorated with swags of ribboned bellflowers in the neoclassical taste. Between these swags is the unusual detail of a fan of seaweed at their centre, a request of the patron no doubt.
The central tablet has a floral ribboned swag studded with roses and other small blooms and the centre is filled with a spray of flowers and ferns within a woven basket. The endblocks feature a bound posy of roses and the jambs are decorated with trailing oak leaves and acorns. A very fine thing.

Scottish, c.1800.

Notes:
Richard Foster was born in Canonbie, the Scottish Borders, in 1755. At the age of fourteen, he was recorded as having a bank account in London, presumably as he was serving as an apprentice there, perhaps to the Adam Brothers as they too were in London at this time. In 1785 he returned to Edinburgh, working as a "joiner" and married to the daughter of a wealthy leather merchant. His chimneypieces were sold not only in Scotland, but in the USA, a bold move only a few years after American Independence was declared! This is perhaps why he avoided becoming a prominent figure in Scottish social and intellectual circles, as selling to Britain's former colonies would have been regarded as treachery in many cases. The pine and composition chimneypiece he perfected made the rational principles and beauty of classicism affordable to the growing mercantile and professional class emerging in the 18th century. These clients wished to express their cultural understanding through objects that conveyed the principles they admired, the chimneypiece was one such highly prized object. The Adam brothers (Robert and James) were well known for promoting their designs to the masses, and it is the pine and composition chimneypiece they made for the emerging middle class in Edinburgh that have become synonymous with the "Adam Style". However, Foster was a true master of the technique, and his designs are some of the most delicate and finely manufactured ever made.

View our section showing full range of neo-classical chimneypieces

	Width	Height	Depth
External	66 1⁄2" 169 cms	58 1⁄2" 148.6 cms	7 1⁄4" 18.6 cms
Internal	48 1⁄8" 122.3 cms	45 11⁄16" 116 cms

Stock: 15533

A well modelled majolica stand with a brown glaze. Art Nouveau foliate motifs appear to the main body of the stand, female masks to the bulbous centre and curled lion mask feet at the base.
Originally a jardiniere stand but would also be excellent as a display stand.

English, c.1890.

		Height
		28 1⁄4" 72 cms

Stock: 15537

A very elegant Regency pine and gesso chimneypiece decorated in the Adam style. The inverted breakfront shelf is decorated with a beaded cornice and sits above an elegant frieze decorated with opposing gryphons holding ribbons of bellflowers in their beaks, centred by urns on stands. The tablet is more naturalistic, with Venus and attendants depicted in a pastoral landscape. The slender endblocks are decorated with classical urns on stands, and rest above the gently fluted pilaster jambs.

English, c.1810.

View our section showing full range of neo-classical chimneypieces

	Width	Height	Depth
External	73 3⁄16" 186 cms	61 1⁄8" 155.1 cms	7" 17.7 cms
Internal	54 11⁄16" 139 cms	48" 122 cms

Stock: 15532

An early 20th century century Chinese blue and white porcelain onion pattern table lamp, profusely decorated with a hand painted decoration of chrysanthemums, insects and scrolling leaves and mounted on a pierced patinated bronze base.
Chinese, c.1910.

( shade not included )

View our collection of: Antique candelabras, candlesticks and lamps

	Diameter	Height
	5 7⁄8" 15 cms	13" 33 cms

Stock: 15525

A vibrant Ashfar carpet on a deep blue ground, the central red medallion remiscent of an animals' hide.
Iranian, mid 20th century.

Notes: Ashfar carpets are typified by a red and blue colour tones and mostly geometrical patterns. The most common pattern contains a large center piece with one or more squared medallions, some say that this symbolizes a hide stretched for preparation.

View our collection of: Carpets and rugs

	Length	Width
	98 3⁄8" 250 cms	70 7⁄8" 180 cms

Stock: 13544

A large and comfortable William IV mahogany and leather arm chair, with elegant scrolled arms and brass studded upholstery. The legs stand on original brass castors. The leather has acquired a beautiful patina from over a century of use, but this could be refreshed if desired. English, c.1820.

	Width	Height	Depth
	25 3⁄16" 64 cms	42 11⁄16" 108.5 cms	29 1⁄2" 75 cms

Stock: 15485

An elegant pedestal, carved from an off-white and grey variegated marble, the circular top over a partially-ribbed cylindrical body, on a stepped circular and octagonal base.

Early 20th century.

View our collection of: Antique Columns, Plinths, Pedestals and Towers

	Diameter	Height
Top	10 3⁄8" 26.5 cms	39 5⁄8" 100.5 cms
Bottom	13" 33 cms

Stock: 15519

A very fine English 19th century giltwood mirror in the Florentine manner, with a beautifully carved frame of scrolling acanthus leaves. Original mercury glass.

English, c.1850.

View our collection of: Antique mirrors and console tables

	Width	Height
	31 7⁄8" 81 cms	42 7⁄8" 109 cms

Stock: 15433

A superb Victorian walnut and solid ebony Gothic library table. This outstanding table is made especially rare by having solid ebony legs, stretcher and finials. The beautifully carved Solomonic legs and stretcher support a fine burr walnut top.

This table is incredibly diverse, and can be used as a centre table, or even a desk.
English, circa 1860.

Link to: Antique furniture

	Width	Height	Depth
	54 1⁄4" 138 cms	29 1⁄2" 75 cms	33 1⁄2" 85 cms

Stock: 15516

A set of four Victorian cast iron garden chairs, with spoon backs featuring crisply cast decoration above circular seats cast with a radiating circular pattern and resting on elaborate cabriole shaped legs. This is not an identical set, as is formed form 2 very similar pairs. Very much in the Coalbrookdale style, and would work well as a patio set as they are very heavy.

English, c.1880

Photographs before restoration.

View our collection: Antique, old vintage fountains, sculptures, garden furniture and statuary

	Width	Height	Depth
	16 1⁄2" 42 cms	32 1⁄4" 82 cms	20 1⁄2" 52 cms

Stock: 15511

A rare and perfectly detailed live steam scale model of a rotative vertical reciprocating beam engine with James Watt type parallel motion linkage. This hand-built engine has been made from burnished steel, cast iron and bronze, which has developed a good patina from over a century of enjoyment. It also retains its original paint and comes with its original carrying case. The single Mahogany clad double action, low pressure cylinder has a stroke of 2 5/8 inches and a bore of 1 1/8 of an inch, the piston produces power on both the upward and downward strokes. The fly wheel measures 11 inches in diameter and the beam, pivoting on a single bronze column, measures 8 1/4 inches. This engine was built between 1865 and 1870, most probably as an apprentice piece, or for demonstrating the workings of this type of engine. It is mounted on a Mahogany plinth with a brass plate with the inscription “MADE BY ROBERT GILCHRIST OF BERWICK ON TWEED 1865 1870”

English, circa 1870.

Scottish engineer, James Watt invented His parallel motion mechanical linkage for the double acting Watt steam engine in 1784. In a letter to his son written in 1808 James Watt wrote “I am more proud of the parallel motion than of any other invention I have ever made”. Watts' new double acting engines were powered by steam on both the upward and downward strokes, along with his parallel motion, these engines were much more efficient than previous engines built by Thomas Newcomen and Watt.

View our collection of: decorative antiques and furnishings

	Width	Height	Depth
	19 11⁄16" 50 cms	14 5⁄8" 37 cms	11" 28 cms

Stock: 15541

An Art Nouveau Doulton Lambeth stoneware jardiniere on stand, decorated in shallow relief with a stylised flower pattern on a blue and green ground. Impressed marks and artist's initials. English, c.1910.

View our collection of: decorative antiques and furnishings

Stock: 15506

A set of four framed 18th century copper-engravings of exotic birds with original hand colour. This set comprises three engravings from George Edwards', Gleanings of Natural History Containing Figures of Quadrupeds, Birds, Insects, Plants, published by G. Sidney for George Edwards, London, 1758-1764. One engraving from Francois Nicholas Martinet's engraving from the Comte de Buffon's superb work, the Histoire Naturelle des Oiseaux, published in Paris from 1770 to 1786. These are two of the most important ornithological publications of the 18th century, Darwin being a great admirer of both.

The birds are as follows:

Francois Nicholas Martinet bird engraving, plate 289, of the "Tyran hupè, de Cayenne" which is Crested Tyrant Flycatcher from Cayenne.

Frame: 28cm x 32.5cm Engraving: 19.5cm x 24cm

George Edwards engraving, of "Huming [sic] Birds from Surinam, Published according to act of Parliament 1742 by Geo Edwards".

Frame: 27.3cm x 31.2cm Engraving: 18.5cm x 22.4cm

George Edwards engraving, of "The Chinese Teal", published circa 1740.

Frame: 27.4cm x 31.2cm Engraving: 18.4cm x 22cm

George Edwards engraving, of "The Alpestris, or Larkof North America" titled ALAUDA. Published circa 1740.

Frame: 27.4cm x 31.9cm Engraving: 18.5cm x 23cm


These engravings can be sold individually or as a set.

Stock: 15505

A fine late 19th century framed oil on canvas by Joseph Horlor (British, 1809-1887). The pastoral scene depicts fishfolk with their boats moored and their meagre catch in wicker baskets. They work under the looming ruin of a castle, a romantic vision of crumbling turrets built in to the rocky crag. In the distance there is a glimpse of a village nestled in the trees, completing the vision of a pastoral idyll. Scenes of this type were immensely popular in 19th century Britain, as they both conveyed the romance of the British countryside and the moral virtue of manual labour. This scene was possibly set in Wales, where Horlor found the landscape immensely inspiring .

Signed and dated 1836. Framed in 19th century gilt frame. In fine condition, professionally relined recently.

Notes: Not a great deal is known about Joseph Horlor, but he exhibited from 1834-1866 at the British Institute and Suffolk Street (Later to become the Royal Society of British Artists) in London. He lived in Bristol and Bath and specialised in landscapes, coastal scenes and seascape subjects, mainly painting in Wales, Devon and Cornwall. There are 8 paintings by Horlor in the British National Art Collection, predominantly in Bristol.

View our collection of: antique wall tapestries, panels and paintings

	Width	Height
	37 3⁄8" 95 cms	28 11⁄16" 73 cms

Stock: 15500

An elegant Victorian arched fireplace carved from white statuary marble. The simply moulded shelf is supported by tapered pilaster jambs decorated with trailing foliage, which is echoed on the panelled spandrels which frame the arch. The endblocks are decorated with roses carved in high relief, as is the cluster of oak leaves and acorns crowning the arch.

English, c.1860.

	Width	Height	Depth
External	70 11⁄16" 179.7 cms	46 1⁄2" 118 cms	12 13⁄16" 32.5 cms
Internal	37 3⁄16" 94.5 cms	35 5⁄8" 90.5 cms

Stock: 15183

A Dutch Brass Planter, with lion's mask and ring handles, embossed with two armorials and roses in the Tudor manner.
19th century.

View our collection of: other antique accessories

	Diameter	Height
	15" 38 cms	13 3⁄16" 33.5 cms

Stock: 15486

A large and grand French chandelier in the Louis XVI style, with two tiers of sixteen arms mounted on a bulbous central stem which is profusely decorated with cast foliate decoration. The patinated gilt bronze finish gives this chandelier a subtle lustre that glows when illuminated.

French, circa 1950s.

Ceiling rose and hook not included.

View our collection of: Antique chandeliers.

	Diameter	Drop
	39 3⁄8" 100 cms	39 13⁄16" 101 cms

Stock: 15348

A pair of 18th century Dutch Delft Faience blue and white vases of octagonal baluster form the covers with scrolling foliate finials. They are very finely painted in cobalt blue. The front panels decorated with peonies and willow trees within scrollwork cartouches the back panels with leaf sprigs on a white background. There are makers mark and initials to the base of each vase. Dutch, circa 1764-70.

Link to: decorative antiques and furnishings

	Width	Height
	6 11⁄16" 17 cms	17 1⁄8" 43.5 cms

Stock: 15457

A William IV rosewood fold over tea table, the top is supported on a swivel action over an octagonal column which is mounted on a pedestal base with scroll feet. English, c.1830.

Link to: Antique furniture

	width	height	depth
	35 13⁄16" 91 cms	29 1⁄8" 74 cms	17 11⁄16" 45 cms

Stock: 15324

A simple and elegant bolection fireplace carved from a dove grey limestone. The polished and undulating surface reveals the subtle veining and mottling, which would be just as well suited to a contemporary interior as a period one. English, c.1930.

Provenance: Removed from a property on Eaton Square, London.

The Queen Anne style of the late 17th century saw the emergence of the simple bolection fireplace, often situated within a panelled room. It was far more simple in design that what had preceded it, and it was this striking simplicity that secured its enduring popularity.

	Width	Height	Depth
	61" 155 cms	47" 119.5 cms	3" 7.6 cms

Stock: 15491

A High Victorian tiled register grate with a decorative hood above the grate, which still features its original ash pan. The handpainted tiles are neoclassical in design, with the exception of the narrower tiles, which feature a very convincing faux-tortoiseshell design. English, c.1890.

View our collection of: Antique Fire grates and Register grates.

	Width	Height	Depth
External	38" 96.5 cms	38" 96.5 cms	12" 30.5 cms

Stock: 15459

A fine oak longcase clock by Philip Avenell of Farnham with later lacquered chinoiserie decoration. The eight day movement strikes the hours on a clear bell. The clock face has a 12 inch brass break arched brass dial flanked by ornate gilt brass spandrels. The raised silvered chapter ring is crisply engraved with black Roman numerals and Arabic five minute numerals to the outer aspect. The central dial has a subsidiary seconds dial, a date aperture and is profusely engraved with floral decoration. The maker's signature is signed within a cartouche. The chinoiserie decoration was likely added in the early twentieth-century. English, c.1780

Notes: Philip Avenell was part of a 200 year dynasty of clockmakers based in the South of England. Watchmakers and clockmakers of the world’ by Brian Loomes records Phillip Avenell as working in London circa 1765 then in Farnham from circa 1775, roughly when this clock was made. Philip Avenell died in 1809.

	Width	Height	Depth
	18 1⁄4" 46.5 cms	86 5⁄8" 220 cms	10" 25.5 cms

Stock: 15489

A Bakshaish north west Persian wool runner, the abrashed field shading from petrol blue through indigo to dark brown, with flowerhead and foliate designs, brick-red main border and guard bands. Iran, c.1900, possibly earlier.

View our collection of: Carpets and rugs

	Width	Height
	44 1⁄2" 113 cms	119 11⁄16" 304 cms

Stock: 15488

A Pair of large Renaissance Revival patinated bronze ewers, with pierced, openwork decoration. They are likely to be cassolettes, with the pierced design intended to diffuse sweet perfume kept within them. They are mounted on red griotte marble base. French, mid 19th century.

View our collection of: decorative antiques and furnishings

	Width	Height	Depth
	7 1⁄2" 19 cms	22 5⁄8" 57.5 cms	6 1⁄8" 15.5 cms

Stock: 15484

A Sarouk (Sarough) carpet, with a central rosette surrounded by a scrolling floral design and a floral border. There is minimal fading and the carpet is in good condition. The carpet is not overly large, so could be accommodated in most rooms. Iranian, c.1950

Notes: Sarouk rugs are known for their quality and durable nature, woven from soft wool. They are woven in Arak, North West Iran. The dyes used, are dark and light blue, pink and red. This restrained palette makes them particularly sought after today.

View our collection of: Carpets and rugs

	Length	Width
	69 11⁄16" 177 cms	46 1⁄2" 118 cms

Stock: 15483

A fine and very decorative Nahavand carpet, with geometric floral motifs on a bright red and blue ground, typical of Nomadic designs. Iranian, mid to late 20th century. Notes: Navahand is a small province located in Western Iran and is one of the most prolific carpet making regions of Iran.

Link to: Carpets and rugs

	Length	Width
	82 11⁄16" 210 cms	54 1⁄4" 138 cms

Stock: 15481

A large and decorative Heriz Persian Carpet with an intricate design. Heriz, now in North West Iran, is renowned for fine carpets, where they were often made on looms attached to the side of houses, where 3 or 4 people would work on the same carpet at the same time. Heriz rugs are both durable and hard wearing and it is said that they incorporate woven images relating to old folk tales.
Persian, mid 20th century.

View our collection of: Carpets and rugs

	Length	Width
	140 7⁄8" 358 cms	104 1⁄4" 265 cms

Stock: 15480

A decorative Afshar Persian carpet of relatively small proportions, the diamond shape central medallion framed by a golden border, echoed by similar tones throughout the floral decorative scheme. Iranian, c.1950.

The semi-nomadic Ashfar tribe originated in North-West Iran, but are now located in the South-East of the country.

Link to: Carpets and rugs

	Length	Width
	66 1⁄8" 168 cms	57 7⁄8" 147 cms

Stock: 15478

A striking geometric Karajar carpet with three central medallions on a red ground, the border comprises a blue ground with nomadic style floral motifs. Iranian, c.1940.

Link to: Carpets and rugs

	Length	Width
	51 3⁄16" 130 cms	40 3⁄16" 102 cms

Stock: 15473

A simple and elegant St Anne marble corbel fireplace. The softly grey hued St Anne marble is gently veined and displayed to great effect on the plain shelf and jambs. The undulating corbels support a broad moulded shelf. Its' simplicity is enhanced by small bands of Belgian black marble above the corbels and footblocks, an unusual detail.

English, c.1870.

	Width	Height	Depth
External	67 7⁄8" 172.5 cms	48" 122 cms	11" 28 cms
Internal	38" 96.5 cms	38" 96.5 cms